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・ Jim Mangan
・ Jim Manganello
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・ Jim Manley (songwriter)
・ Jim Mann
・ Jim Manning (baseball)
・ Jim Manning (pitcher)
・ Jim Mansfield
・ Jim Manson (Australian footballer)
・ Jim Manson (politician)
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・ Jim March
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Jim Marcus
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・ Jim Marking
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・ Jim Marquis
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・ Jim Marsh (American football)
・ Jim Marsh (basketball)
・ Jim Marsh (ice hockey)
・ Jim Marshall
・ Jim Marshall (American football)
・ Jim Marshall (baseball)


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Jim Marcus : ウィキペディア英語版
Jim Marcus

James (Jim) Marcus (born March 22, 1966) is a musician, artist, political activist, and respected typographer who is best known for his work as the lead singer and founder of the Industrial band Die Warzau. He is credited as engineer, remixer, vocalist, songwriter, percussionist, drummer, bass player, pianist, keyboardist or artist on albums by Die Warzau, GoFight, Sister Machine Gun, Björk, Pigface, Pansy Division, The Swans, Haloblack, Chris Connelly, KMFDM, Skrew, Machines of Loving Grace, Stabbing Westward, Gravity Kills, Everplastic, Screaming Rachel, Dessau, Chemlab, The Final Cut, Testify, Mindfunk, Little Louis and various other artists across many different genres. His work can be heard on some of the most popular tracks by many of these groups, such as the Pigface's "Asphole", "Aboriginal", "Steamroller", etc., KMFDM's "Light", Sister Machine gun's "Wired", "Lung", "Nothing", etc.
==Die Warzau==
In the late eighties, Jim Marcus and his partner Van Christie were working as individual performance artists in Chicago, Illinois. Their early shows as the band kept their performance art roots and were less about music than destruction and visual mayhem, garnering attention from fans,members of the press, and police officers. Fiction Records, distributed in the United States by Polygram and at the time serving as home to bands like The Cure and Eat, added Die Warzau to its roster after a particularly destructive show created a minor PR blitz in the city. In 1988 the band’s first single, “I’ve Got to Make Sense,” reached number twenty-three on Billboard’s dance chart and topped college club charts across the country. Their next single “Land of the Free” climbed to the top spot on the Billboard dance charts and stayed on the import charts for a record thirty-six weeks (since Fiction was an English label, the record was an import release).
Despite a racy video that was banned on major media outlets and only played in clubs after midnight, the next single, “Welcome to America,” reached the number twelve spot on the Billboard dance charts.Later releases have gotten various degrees of play on various stations and channels. Songs such as Funkopolis, Red all over, Liberated, and All Good Girls mystify straightforward musical consumers even while becoming commonplace on dancefloors. The band is well known for its lack of subscription to any particular musical genre and refusal to accept label-level censorship.
Marcus has worked with all sorts of artists as well, outside of the band, including the Supergroup Pigface. On the Invisible Records Website, Martin Atkins says this:
"Notes from thee Underground - A wide array of participants, as Pigface began to pick up steam. Louis Svitek of Ministry, Jim Marcus of Die Warzau, Ogre, Genesis, Flea for fuck's sake!
"I think one of the landmark tracks on Notes... has to be Asphole. The Pigface experience on every level, in multicolored 3D scratch-and-sniff (and then wish you hadn't). Originally called Taiko, it was just a mad, mad, afternoon out at Halsted St.'s Chicago Trax. We hired 6 Taiko drummers to ceremonially perform in the big live room, along with a backing track we created. Jim Marcus (of Die Warzau) was instrumental and catalystic in the tracks inception. I remember sitting back in one of the chairs (that always seemed to be broken) watching all these guys hammering away on the huge drums, and thinking how lucky I was to be enjoying this moment."


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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